Lake With Many Rooms
Always distraction— the “you” the desire object
as in you enter like a crushed flower of a person perfuming
like an enormous lake light
this hungry chamber and my ledge deranged with sun
desrengier literally to move from orderly rows
in my thin orange robe those sparkling parties where I knife
through rooms looking for someone to sleep with
where the you steadies my hip in the shower
touches beneath my tongue with his thumb
or in flaming reams curls into obsession
a gold animal I want her to tell me what to do
then upon my waking the desire object
like a sliver of dark bitter light
or an envelope flat of air and trying to remember what I wanted to remember there was
perhaps a message I was meant to receive
what I mean to say is these kinds of dreams happen sometimes when I am lonely
To Reject This System Would Require Another System
A spontaneous moon necessitates its own rules
then the disorienting orange dusk
the exit only illuminated when cut from the lack of an exit
in preparation a woman embroiders her own disruption
transfigures into a manic light the most direct form of herself
the new structurelessness ranges almost mammalian
every city has always hosted this low hum
but now no longer theory we are required
to accept what we did not think we could
a match strikes a match strikes a match strikes
the unraveling is what but when and how
Originally from the Pacific Northwest, ANSLEY CLARK now lives and teaches in Colorado. Her work has been published in the Colorado Review, the Black Warrior Review, Sixth Finch, Diagram, Typo, Denver Quarterly, and elsewhere. Her chapbook Geography (2015) is available from dancing girl press.