One improbable mows the lawn,
another trims the hedges.
Sunlight pours from the forehead
to the ground, where ants as ghosts
enjoined to walk the whole
continuously out of focus
offer one another little
collisions like encouragement.
Forearm across the forehead,
a slow in coming translation.
What equivalence can there be
to the gift turkey
that uncovered the king’s armor?
What happened next to the turkey?
Sister informs brother
she defeated him in childhood,
she defended him in childhood.
Brother tells baby brother
just roll with it.
There was a king whose queen
died in childbirth.
There was a king who after
a year of weeping died.
On the forehead appears a cloud.
Can you believe the turkey dug all the way
to a trap door and hidden staircase?
If the science of the day could dramatize
more accurately, elegantly
the royal prerogative
may it blind itself with quicklime
and enjoy an age or two of peace.
Let the holiday trees planted along the border
send their roots down to the sewers
and grow to unimagined heights.
For a time, our grandparents believed
said door lay just beneath the topsoil
of the mind. They took some wild vacations.
Let those be forgotten, else attributed to fate.
The king was buried
to the forehead
in the forest
watching a blade of grass
oppose the ground.
His advisors spoke
in voices of gravel
displaced by hooves.
The horse were coming
as always, and so
the advisors retired.
He lay in the reeds
among geese
in the morning
lifting their bills
to a confusion of breeze.
To the blade arisen
he said victory for now.
A halo of distress
he called adumbration
surrounded each tree.
Horsemen arrived
and refreshed their mounts.
Setting fire to the woods,
the king inaccessible
received their thanks.
Being an orphan without knowledge
of her origins, the sister
had an advantage
when, as custom, she exchanged
inquiries into the health
and disposition of the house
in greeting. The woman,
untroubled, asked several
times about her brother.
Some unreality creeps
into our relations
when affirmed, some ants
the built walls and rafters.
From a bag the woman
pulled a turkey, for Christmas.
What’s Christmas?
That festival our descendants
sometimes kept, with song
and food and unaccountable
goodwill. Over customary
objections the woman
insisted: here, take the turkey.
The flightless bird of youth,
harbor and home of inaction,
the one who tends to fate
with delicious little claws.
How could the sister not love
life for its absurdities;
the sister, to be known
as the sister! And then
beneath the floor in this corner
of their cellar home, the turkey
promptly excavated
a dark well. The lid, once wood,
now gaped blindly to the well
bottom, where rose
a low mound with flat
black terraces. Something
like a colony of ants, all workers,
had fallen from free colonies
above. Unable to return
to their maternal nest, in cold
and total darkness, the rain
of ants kept their discipline,
forming the mound, tending
the entrances, and terracing the dead.
Their numbers were replenished,
increased, when each spring
the nearest colonies swelled.
Gray, black, little strings of movement:
this was the turkey’s first revelation.
Alone in the dark room
there were often visitors,
foreign ministers too shy
to speak, merchants untempted
to pause, familiar-seeming
children begging alms
a touch theatrically.
Sometimes after finding
the mat with her toe
and having lain there
who knows how long
the sister would see
a woman seated
daylit above her
reaching toward her
in calm reassurance.
The woman could reach
a long time without touching,
but in contact it was
as if the sister
were a different person.
She would panic a moment,
looking around the room,
wondering what
she had lost, and when
she was touched again,
she would again feel new
and removed from that
brief self already
distantly remembered,
and would panic less
with each ensuing touch
until it was the sun
she saw at the window,
unknowing that she’d passed
through the T-shaped halls
beneath the castle.
So pleased with fate the youth made vows
and established new routines.
Sweet mornings, savories at eventide,
and in between
a woman arrives the way a woman arrives
in a dream, possibly
having stood in the center of the room
unnoticed a long time.
A friend of his mother whose gifts were known
by few in the region, who
with a gesture like permitting a fist of sand
to fall between her fingers
could brush aside the curtain of the moment
and in translation render
the smell of grass in the air as a visual
phantasm. An inscrutable thing
to make the beams and tapestries weep,
to hear the hammer
of the man repairing cobblestones
as though composed
of the fine bones of an ear below the dirt.
Then the air
of the room is hinged, swings open, and
who would dare enter?
To walk up the black hill, billowing
like the fires that speak
from the fuels that they consume,
even here the youth
whose father abandoned fatherhood, whose mother
had no choice,
suspects a kind of pretext of the rush of
countervailing oddities
in an otherwise ordinary day.
Some unhappy soul
is gushing smoke. Why not me?
LUCAS BERNHARDT manages the PSU Writing Center, teaches writing at Oregon College of Art and Craft, and is Poetry Editor at Propeller Magazine.