CARRY
He instructs you to stretch your arm out ahead of you. He instructs you to slowly bend each finger. He instructs you to watch every quiver. He watches you remember the mark of your own construction, of having been made so.
DISSIMILATION
They grew up sharing
a tail
whose soft unworn end could cut a
sharp line across the
smallest winds.
With the years they fell, tail first
Down a captive country netting loosed faces
Two pairs of hands sewn to two pairs of cheeks
really just another myth-made victim miring
among indigo clouds
another sand angel flailing the white desert
*
After years, months, days of assurances pouring in
from all over the realms the sisters
finally embrace their nationlessness / The crassness of
discussing nations must have left a mark she and she
has to bear / on any given face /
soft addiction hemmed inside
sworn fantasies
Some have said ashes to white ashes
Some have revealed the realizations of foreign women
The fissured coats she drapes
over
Her sister’s stitched body / billow like weak
Emblems
*
Before long the sisters learned
the privilege of sucking on a single, lucid name
Mouth on mouth.
Misty vapor
gathered around their snaked bodies,
snaked tails, the world’s first
Wild blue matrimony. Outwardly,
there is nothing
obviously fecund about their tail
Carrying all the life to come
All the life to be decided
at a later date or strewn
the way conscience
releases itself from bough to
white bough as a
Wild thing uncoiled
—-
“Carry” and “Dissimilation” are parts of a chapbook that won Ahsahta Press’s 2015 Chapbook Contest, forthcoming soon.
Grace Shuyi Liew’s next project is on spaces. Her work has appeared or will appear elsewhere in PANK, Bone Bouquet, West Branch, Puerto del Sol, Twelfth House, H-ngm-n, and more. She is from Malaysia.