PEOPLE SAY THIS IS NOT MUSIC
Quarter to eight sun cold ball of wax
Bedroom shape-shifting again
Nothing comes across the waves
Trembling under the low spot of each atom
I hit reset and nothing happens the machine
Pouts I sit on a small chair and imagine
Clarinet disjoined from time
My wife’s boots no longer the boots in “The Dead”
But sprawled across the carpet as titanic boats
Resting interminably in a desert
While cold in this room with indecently swinging piano
People say this is not music
Tell me type a head back into time
So people who watch television can follow
Piano I imagine because divorced from reason
I can see the beach unfold I can see sound
In this place people tell me is not music
Tell me to type in a head an image that mimics sound
The cold the cold cold cold
Room not too big small room
Magnification grimaces carpet
Sheet music stereo music ear music bird screams
People who tell me this
Can’t get cold to break their dreams
Cracked bird claws on the kitchen windowsill
I get on my knees I hear them sing
I get off on getting off my escape route
To gesticulate inside a cocoon with a broken furnace
Only in the small teased out words
From a toothpaste tube does language resemble prayer
In last night’s meat I starve to say against the language
People who say this is not prayer
Scumbag of vision and particular voiced groove
Sucking up victuals from a grave in the hypothalamus
Their thirst will not deliver them from internet radio
Their stars will not grieve their transmogrifications
Ears folding a hermit crab’s shell around the face
In middling lives they walk into trees
Only hear the dull thud of stomach kissing mouth
To swallow something soft and tasteless
Perhaps a tongue without a fire
Soft without insistence
No rain
Only believed forests falling
In the dream the temperature controlled room speaks
Opposite of falling asleep I have taken the seeds from my socks and fallen asleep
Insistent on the backward word shape
Compositions intrinsic bathe beside
Bathtub song-like singing near song
No singing only landscape free of minds
Silence begat landmines
Energy of non-happening
Screams back out bird wings
Above a stalled car on the street below
BEFORE CELLPHONES
When I cannot gather the fragments
I’ve collected I don’t
Do anything the world doesn’t
Do much either I mean
The world doesn’t react
Nor exist the world that isn’t
Place only name a divorce
From gone times and the device
To monitor time too doesn’t
Stop or go ahead I keep
Sitting in a basement trying
To churn words from the black
Tiles cold dust residue of spider webs
Old beer and wall rot
A place definitely my parents’
One-floor house rotted bottom up
On the inside the outside untended
The lawn sun-scorched and stomped
The dirt and grass faced up a map
Two sides to every place
In two dimensions in three
We get more than the natural history of Wisconsin
My memory beaten down maybe
Someone else who goes there can
Unwrite this poem I have seen
Only the ghosts in the sub-pump
Can speak the music I’m thinking from
Nightmare constellations out of
The pilot light a dream Blake
In Orion’s cloak holding by the hair
Einstein’s severed head I’d run
And wake up in the living room once
Barefoot on the front walk
Stars in the grass concrete
Summer cool ignitable
Music detached from music
Or not the music call the air a machine
Call vision the machine and distance
The necessary current that only kills
Unless we abide in obliteration
As an act of perception other times
I woke staring my mother down
Nick at Nite and cigarettes
I guess an oracle all
Civilizations end as I do
Dyslexic reading grave markers
Imagining corpses
To purge real dreams the night sky
Front walk dream lit with rusted ships
Alive once but arrived dead
Spoken out from a time before laughing
Failed to stay a spider sneaking
Out as sleep flinched in
Or a bottle cap kicked under the fridge
With wet crumbs and cat hair
Currencies my mother never said
—–
Matthew Henriksen’s first book, Ordinary Sun emerged from Black Ocean in 2011. Some recent poems appear in Fence, The Academy of American Poets Poem-A-Day, Mandorla, and Bright Pink Mosquito, and a special feature of Frank Stanford’s unpublished poems, fiction, and correspondence, selected by Henriksen, appeared in Fulcrum #7. He co-edits Typo, an online poetry journal, and Cannibal, a handmade literary journal. With his wife, Katy Henriksen, he curates The Burning Chair Readings in Fayetteville, Arkansas.